Actually, today’s blog is the beginning of a three part
series. Think of a play or movie divided into three acts. I am sure there are
many models for drafting a novel out there, but one good way follows the
pattern of a three-act play. In this first segment I will share my personal
insights on Act 1. That is, I will share what should be accomplished in the
first act while at the same time evaluate the novel I am working on to see how
well I have met those goals.
Goals for Act 1
In the first Act of my story I am obligated to my reader to
set everything up. This means I need to set the tone and pace for my book,
introduce my main characters, set up a serious problem for my character(s) and
perhaps offer my reader a glimpse of a villain. I need a “hook.” The hook is a
strong first sentence or action to compel my reader to continue. Finally, I
want to create a turning point near the end of Act to keep my reader engaged
and push them on to read Act II. As you can see, there is a lot to accomplish
in those first pages.
How My Novel Measures
Up
I identified the first 20,000 words as Act I of my novel.
Remember, the number is arbitrary, but if I can’t accomplish the goals I have
set in 20,000 words, I will lose my reader’s interest.
I am in the revising stage of my book. As I am examining it Act-by-Act, I am also
making note of word changes, edits, and structural changes that need to be
made. I am sure all writers have their own way of doing this. What works best
for me is to go into a quiet room and read my manuscript out loud.
So I sequestered myself in my office (read “daughter’s
former bedroom with a table and chair in it) and read the first 20,000 words
out loud. (I have thought about recording myself doing this to see if I hear
even more revisions to be made, but the old cassette recorder I own no longer
works. Just an idea.)
I read the first 20,000 words to see if I was meeting my
goals.
Hook? I think so.
If you read “How I Spent My Words,” you will recall I started the story with a
two word sentence: “A lump.” My
critique group liked it and I think it speaks volumes to most women.
Introduce my main
characters? Yes, although one of the characters who will play a prominent
role in the story only makes a cameo appearance in the first Act. Is that a
problem? It could be. I may want to think about how I can add a bit of
information to that section, maybe someone else in the coffee shop makes a
comment about him or calls him by name.
Suggest my villain?
No. As I examine my current work, my villain doesn’t enter until word 21,440. I
can live with that, though I will likely tighten my story and my villain will
appear a bit sooner.
Do I offer a turning
point by the end of Act I? Yes. I offer a turning point along with a problem
for my character to face. Although as I
tighten my story, I expect this part, too, will gain strength and appear a bit earlier. So far, so good.
Where Do I Go From
Here? I will spend this next week making revisions to Act I and trying to
make sure to maintain the overall tone of my story is not compromised. I wanted to create a sense of "close knit family" in this first act, but I may have overworked it. I tend to overwrite sometimes so I will be looking closely at that part of the story.
Your turn- Take a
look at your own writing or at a favorite book. Can you identify the Act I? I
hope this helps those of you who are writing along with me. Let me know how
your own writing is going. I am anxious to hear from you.
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