A couple of weeks ago I shared with you that I have a
weakness: understanding and implementing strong plot structures. As I look
back, this has always been a weakness. I even wrote a bit about it in a post
called “To Plot, Perchance to Scheme” over a year ago.
At the time of that entry I thought the problem was in the
book. Not the author. The first two books I penned seemed to have vibrant plots
that carried the characters along to a satisfying conclusion.
Ah…but the more you learn, the more you realize you don’t
know…or something like that.
I realize this is a piece of my writing education that needs
some attention. I can’t wait for a conference. I can’t attend a class. There
doesn’t seem to be one available to me for the summer session.
I have three options available to me at this point: On-line
study (an internet search of my own or perhaps there is a course out there)
read and study books written on the subject, or connect with other writers in
my area to discuss the topic.
Money and time are resource issues. I’m watching for a
webinar to pop up. Hopefully, a freebie. In the meantime, I did a quick
internet search for “plot structure.” There are a number of short articles
available on the topic. Many of them appear to be directly taken out of a high
school English textbook. Linear elements such as exposition, rising action,
climax, and resolution are defined. I may have left one out there.
However, I did find a particularly helpful post regarding
Larry Brooks’s blog series about story structure. I remembered reading the original
series on the Story Fix blog.
In essence, Brooks guides the writer to divide the events of
the story into several sections. In the first quarter of the book, the set-up,
the writer needs to introduce the characters and end with a pivotal point –that
point in the story where we first see the story problem. The writer needs to
craft a response to this crisis, which of course will be insufficient. He goes
on to identify where the story should be about 3/8 of the way through, at the
halfway point, what should happen 5/8 of the way in, and at the third quarter
mark.
I suggest you check out Storyfix.com for yourself, or to get
a pretty good overview of this plot structure technique, go to Jordan
McCollum’s article “Overview of Larry Brooks’s Story Structure.”
Author Julie Glover translated the plot structure Brooks
outlined for one of her books in this flow chart. You may be interested in
checking out her blog as well. She writes Young Adult fiction (YA). Oh to be a
young adult once more….nah….been there…done that.
Credit: Julie Glover |
After I searched out what I could on the internet, I decided
to enhance my education at the local library.
I found a helpful little handbook of sorts published by
Writer’s Digest Books. The book has the catchy title Plot and was written by Ansen Dibell.
These are the three takeaway items I gleaned on plot from
this book:
“Cause and Effect:
That’s what’s known as PLOT.”
“PLOT IS A VERB”
“Not all fiction is
founded on the falling dominoes of cause and effect.”
The biggest takeaway?
“Writing is as much a process of
discovery as it is one of invention.”
So what does all this mean in my quest for strengthening my
skill at story structure?
I need to have a path of where I think my story will go. I
need to write action scenes to move my reader along that path. But if I come
across another interesting route, I shouldn’t be afraid to change my travel
plans for a bit and explore. The structure tool offered by Brooks doesn’t have
to show up at the beginning of my writing. I can apply it in the revision
process, weeding out the unneeded details bogging down my story and beefing up
the elements that reveal those pivotal points to my reader.
What do you think? How do you, say, plot along…?
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