I am so pleased to have a sweet friend of mine share today's post. JP and I are both members of the Ohio Chapter of ACFW. Because JP writes Young Adult (YA) fiction, I asked if she would share some insights with us, knowing that we are all in this together and we can all learn from each other. Enjoy!
After I finished
my YA Christian fiction novel and edited it a few hundred times, I looked into
publishing it. All agents and editors
gave the same advice, “Know your audience!”
It seemed so overwhelming
to me, getting to know the reading preferences of thousands of teen readers.
But I dove into researching my audience and nearly drowned in discouragement.
Most YA
Christian fiction is either romance or speculative fiction, which often breaks
down into fantasies and dystopian fiction. My novel, set in contemporary West
Virginia with crime elements and a male protagonist, seemed to have no place in
the current publishing landscape.
But I continued
my research. Eventually I realized that when it came to tailoring my novel to
the YA audience, I had to understand what I can do and what I can’t do.
What I Can’t Do
I can’t write a
romance or speculative fiction novel. This is not a case of lack of confidence
or fear of stretching my skills. Some things I just can’t do, like flying or running
faster than my teenage nephew.
I don’t read
romance. I know none of the rules of the genre and would give myself and any
future readers unspeakable nightmares if I wrote one. I do like some
speculative fiction but don’t have the imagination to create something fresh.
Anything I wrote would easily be identified as a collision of Middle-earth, Star Trek, and Narnia.
What I Can Do
Even if I don’t
write romance or speculative fiction, I could learn from them and see if those
lessons could apply to my novel.
One reason I
believe speculative fiction is so popular is because writers can pack in a lot of
action sequences. My novel needed more of them, so I added two scenes and made
sure they were reasonable within my setting.
Another reason
is that both genres appeal to emotions. Will the girl get the boy when his
family is prejudiced against her? Will the teen rebels save the world from the
evil tyrant?
My novel has
high stakes for my characters, which leads to many emotions. Will Junior Lody
keep his family of eight siblings together after their aunt who has raised them
dies and the sheriff is determined to tear them apart? Since I write from
Junior’s viewpoint, it’s easy to let readers experience and identify with
Junior’s fear, rage, triumphs, and more.
Best Audience Analysis
The best way to
get to know my audience was to let real live teens read my novel. They filled
out a one-page questionnaire for me. Because one boy said I had too much
exposition at the beginning, I examined my first chapters and saw I could lop
off the first two and start with the action in the third.
And I discovered
something else. I can’t write to please thousands of readers. But when I see my
future readers as individuals, like the teens who critiqued my book, Amanda and
Andy and James and Brooke, I feel compelled to go beyond my best.
I am still
getting to know my audience – one reader at a time.
JPC Allen is a
2016 Genesis semi-finalist in the YA category for her contemporary novel The Truth and Other Strangers. She
offers writing advice and prompts at JPCAllenWrites.com and on Facebook/JPCAllenWrites.
A life-long Midwesterner, she has deep roots in the Mountain State.
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